Combing Slowly but Surely Through the Internet Archives…

I hope everyone had a nice Thanksgiving break (if you celebrate the holiday)! I celebrated by eating some turkey with the fam before getting back to work on this thesis it’s not going to write itself apparently.

research

Me over break 

Assembling my Thesis Proposal

So, since we last spoke, this girl has been hard at work on her thesis proposal! I have been digging through the EBR and New Horizons for thoughts and information on self-representation in the digital age as well as travelling the far reaches of the Internet for any and all research exploring the connection between new forms of digital content creation and Dadaism. The results of these long hours of research are a fairly developed annotated bibliography as well as a half-completed-ish proposal. I know, in my last post, I stated that I wanted to have a rough draft of my proposal completed during break. That may have been a bit overly ambitious. That said, while I acknowledge that I did not totally reach my intended goal, I believe I accomplished a lot of necessary work. Being able to focus on the research, also, helped renew my vigor.

I found many interesting articles drawing comparisons between new forms of digital content creation such as memes, shitposting, etc. and a reemergence of Dadaism in the twenty-first century. While not wholly academic articles, compelling points were made in them for viewing these new digital artifacts as representative of the Millennial sense of self and reality. Articles and posts by Megan Hoins, Charlie Scanlan, and Deirdre Olsen make a case for memes operating as a kind of lens through which the Millennial generation can view themselves as well as make sense of reality. Memes are essentially a response to the chaos and disorder that seems to have swept across the globe. If memes are nonsensical and nihilistic, it is because the world is nonsensical and nihilistic. Memes have become a new form of communication, have become the new mouthpiece of a generation that is sick of being silenced/having no say. More, they are becoming an essential part of the new self-portrait.

Further research by Shivani Gorle compares memes and shitposting to the rise of a so-called “Neo-Neo-Dadaism”. Gorle identifies these mediums as a contemporary kind of expression of Hugo Ball’s “this humiliating age has not succeeded in winning our respect” sentiment. These new digital forms of content creation are thus an emergent form of counter-art and counter-culture. Memes and shitposting, then, are how we as a generation respond to our world but are also the means through which we dismantle established logic and ideologies and so assert our own sense of self over our circumstances. It’s quite an interesting and compelling notion and one I definitely want to see represented in my own work. This kind of research is really getting at the heart of what I believe about new digital forms of content creation–that they are representative of a new kind of concept of the self. They contribute to the construction of an identity that is ideologically different than the processes of identity construction of the past, that occurred without media-intervention. Memes and shitposting and the like represent a kind of disillusionment with and fragmentation of the self that seems evolved from earlier conceptions of identity. At least, that is what I believe and hope to explore through my work.

Additional research on Elit found an interesting article on personal narrative and self-representation written by Dr. Ruth Page. In her research, Page discusses how the capabilities/affordances of Elit allow for an exploration of personal narrative that is not better than traditional literary forms but that is wholly different. Page states, “The medium-specific properties of electronic narratives aptly underscore the fragmentary nature of self representation, as the pixels on a flickering screen and the potential decay of hyperlinks give the lie to the illusion of textual permanence conferred by the printed page”. Essentially, the design of an Elit work can reinforce its themes. This is something that can be seen in works like Nelson’s This is How You Will Die, Davis’ Pieces of Herself and Ankerson and Sapnar’s CruisingAll of these works make use of interfaces that reinforce their themes or that reference some conceptual underpinning or underlying ideology. 

Overall, I think I’m making good progress with the literature. I feel like I have more of a grasp of my subject matter as well as a renewed focus, having read through research that explores similar ideas to my own. It is important, now, I think to explore some of the research counter to or different from my ideas. I will be working on incorporating that information into my draft this week as well as continue working on assembling my proposal. I have some questions about my introduction that I hope I will be able to go over in class this week. Mainly, I want to know if I’m going “in the right direction” so to speak. Since my work is a little more on the “creative” side, I’m not entirely sure what tone to take with my work. (I need to know how much of my style, let’s call it, can come through ^.^)

Speaking of style, I have also been working on the prototype of my Elit piece! Mostly, I’m working on adding textual information into the work right now as well as some hyperlinks. This weekend, I’m hoping to experiment a little more with incorporating audio into the work. I have some soundbites I would like to work into the piece. Some of these soundbites are more, shall we say, aesthetic in nature but some are more connected to the actual text or history, like Hugo Ball’s sound poems (examples 1 & 2).

Anyway, I will keep you updated on my progress! I’m hoping to have a workable thesis proposal as well as prototype of my accompanying Elit piece by the end of the semester!

****

~Till next time~

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