This week has been productive in a few different ways. Mainly, I started digging into the literature surrounding aspects of Elit and digital art and content creation I’m interested in. I found an interesting article discussing the canonization of article by Scott Rettberg as well a fascinating article by Katherine Hayles about viewing Elit works as these kinds of cognitive assemblages. I’m still just delving into the literature and assembling a kind of annotated bibliography of sources, though. If anyone has any recommendations for good sources discussing Eliterature and its functions and literary value, please hmu! Also, I’m looking for any recs for informative sources about digital art or theories behind it!
In addition to delving more into the literature, I also dove deeper into my concept. As regular readers of my posts may know, I’ve been struggling with my concept. I have a lot of ideas surrounding what I would like to create but not such a clear idea of exactly what I want to make. There’s just all these pieces but no cohesive whole.
Last week, I dabbled with the idea of the “drag-n-drop” interface. The design and concept of Juliet Davis’ Pieces of Herself had a very large impact on me, especially in the way it depicted ideas of self-representation and social inscription. Revisiting Porpentine’s With Those We Love Alive this past week also had a huge influence with me. Reading my own posts on the work reminded me of how deeply this work and its themes resonated with me. In one of my prior posts, I even mentioned wanting to create a work similar to it. Specifically, I found myself re-inspired by the language and poetic voice of the piece. I really want to be able to express my own poetic voice through any work of Elit I create.
My new vision for my work combines traditional Dada photomontage and assemblage aestheticism the concept of the Rogues Gallery with contemporary Millennial humor (as represented by memes and tweets, etc.) and the ideology behind Degenerate Art. I imagine this work will open with a silhouette that is covered in an amalgamation of different artifacts such as the first page of a Dada manifesto and an @dril tweet, a flyer for a Degenerate Art show and an Inappropriate Audition Songs meme.
In a kind of reverse of Davis’ work, readers would have to remove pieces from the silhouette in order to uncover/discover what they mean. Readers would move the artifacts to the blank space surrounding the silhouette. So, in the process of removing the pieces of photomontage from the silhouette, readers would be creating a new photomontage of the background. I would like for a string of lexia to pop up and explain the significance of the artifact once it has been placed outside of the silhouette. This lexia would contain information about the history of the artifact or about the origin of the content. I hope to include links to outside sources for readers to get more information.
As readers remove the artifacts from the silhouette, I want them to uncover a poem beneath. This is a poem I either want to write myself or I want to put through an algorithm like a bot to generate. Ultimately, I want it to reveal something about the mutability and evolution of self-representation and how aesthetic presentation connects to ideas of self-representation. How we are all made of pieces. How we are all collage. All assemblage, photomontage, bricollage, mosaic.
I would like the work to come to a “kind of end” by having all of the removed pieces return to the silhouette in a new pattern, reinforcing the idea that we are these kinds of collage, perhaps degenerate but still ultimately of so much value (as revealed by the information each artifact embodies). Because of this, this work would still be titled Degenerate’s Gallery.
As I imagine presenting this work during my university’s research days, I have also imagined an installation component to this piece. I would like a technological setup that allows readers to work through the piece. In addition to that, though, I would like to create a wire/metal bust of a head and shoulders and invite people to stick different kinds of artifacts to this bust, to participate in the creation of a work of degenerate art.
Ultimately, it is my hope that this work will allow participants to view themselves and acts of self-representation and aesthetic presentation through a new lens. Also, I would like my work to be a kind of meditation on Dada absurdism and nihilism and what it means that these ideologies and ideals are re-emerging through the ways we represent ourselves in online spaces.
Anyway, that’s what I’ve been thinking about this week. I would love any input from my fellow creators and researchers in the field. All of your guidance and suggestions have been very helpful. (I recently downloaded Krita and so far I am very impressed with the program. I want to lay around with the tools and watch a few more tutorials before I share some of my work.)
~Till next time~